Eyes of an Island - Japanese Photograhy 1945-2007
'Shashin' is the word for photography in Japanese. It translates literally as ‘truth copy’. It is a fitting description for the mood of this show, which surveys Japanese photography from the end of the Pacific War in 1945 to the present day. Following the atomic bombs in Hiroshima and Nagasaki and Japanese surrender, the country faced reconstruction and the search for a new identity. In a society that had been saturated with wartime propaganda, people hungered for authenticity. This striving energizes the work of photographers who worked in the forties and fifties and who are featured in this show like Shigeichi Nagano and Takeyoshi Tanuma. Also included are many other well-known Japanese photographers: Shomei Tomatsu, Daido Moriyama, Hiroshi Hamaya, Hiromi Tsuchida and Eikoh Hosoe. There is more recent work from Hiroshi Sugimoto, Ryuji Miyamoto and others. It is an exhibition that you can really get your teeth into.
Many of the pictures have strong graphic elements, thanks to the fact that they were featured in newspapers or magazines. Until relatively recently, most photographers working in Japan showed their work mainly in print publications, rather than galleries. The first exclusively photographic gallery in Japan opened in 1973.
Some of my favourites: Nagano's 'Women Collecting Sand' (1957) focuses on the geometric quality of the women's hats. Hamaya's 'Woman Planting Rice' (1955) crops the figure's head and arm from the frame, so that the image is reduced to the sinuous dark shape of the woman against the light-filled background of the watery rice fields. Hamaya's 'Bathing in a Hot Spring' (1957) utilizes the angular outline of the tub for visual tension. For photographers like Hamaya, even photos of people in a hot tub are dynamically composed.
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Juicy Cosmetics
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Timeless Seduction
This spring at Toronto Fashion Week, L'Oréal introduced its colour palette for fall in a stunning new collection:
The Looks of Timeless Seduction
For each look of the collection – Miss Provocative, Miss Rebellious, and Miss Demure – L'Oréal revealed an Artistic Vision based on haute couture runway looks, as well as an Urban Vision showing how the dramatic styles can be adapted to a woman's day-to-day needs.
The aim is to explore the various concepts associated with the timeless art of seduction: Miss Provocative is a woman who knows her own power – and is not afraid to use it; Miss Rebellious lives life – and her love life! – on her own terms. Even Miss Demure, (pictured here) is not afraid to explore her sensual side: she is a shy golden girl who entices with her natural beauty.
Get the look with L'Oréal's Bare Naturale Gentle Mineral Make-up – the perfect way to achieve flawless skin without that heavy, cakey feel; gold eye-colour from the Golden Khaki Seduction Wear Infinité Eye Shadow Quad; dark brown Telescopic Mascara; a hint of pink – try True Match blush in Baby Blossom – applied to the cheeks; and lips adorned with a subtle hue such as Colour Juice lip gloss in Touch of Nude. Finally, style your locks with a large, round brush to give them bounce; flip the ends; and add a blast of Studio Line Finishing Spray as a final touch.
The collection uses gold, copper and silver shades inspired by hues found in our changing landscape throughout the year; lips are nude, or berry-stained and luminous; hair is a warm blond, a cool copper, or a deep midnight black, enriched by the tone-on-tone colour process that is all the rage for fall.
To find out more about this and other trends, drop by your local L'Oréal Paris cosmetics counter.
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